Category Archives: Monkeys

5 Questions to Ask Before You Blog

Today I’m giving you a sneak peek at some of the curriculum of “Writing Compelling Blog Posts,” a six-week workshop I’m leading at The Writer’s Center in Bethesda, Maryland, starting next Tuesday, April 17th. Unlike most classes on blogging, we won’t be discussing SEO optimization or social-media promotion. The course is, instead, a true writing workshop, in which we read and critique–all in real time–potential blog posts authored by each other.

The class is intended for experienced bloggers as well as those who have never authored a single post. Regardless of your comfort level with blogging, however, I maintain there are five questions you should always keep in mind when you blog. They are essential to ask before you begin a blog:

  1. Why am I blogging? It’s important to be honest with yourself here. Is it because you’ve been told you need a “platform” as a creative? Then that’s your answer. You won’t be able to maintain the pace if you don’t know why you’re doing it.
  2. Lots of things inspire me. Bacon, of course. But also monkeys and antique maps. Be glad monkeys make lousy cartographers, or I'd abandon The Artist's Road and blog about nothing but mapmaking simians.

    What inspires me? Whatever it is that interests you, that is what you should blog about. You can tie your subject matter to universal themes that any reader can relate to, but trust that you’ll draw me in with the power of your passion for the subject. Conversely, if you don’t care about your topic, I won’t.

  3. How will my blog be different? You know that “elevator pitch” you’ve been told you need when you pitch your novel to an agent? If you have one for your blog–one that goes beyond “It’s by a writer and is about writing”–you’ll find it much easier to stay on course and harvest return readers.
  4. What value do I bring to my readers? It could be formal instruction. It could be shared moments of your personal life. It could be anything in between. Just remember that readers are giving you a precious gift; their time. Be sure to give back.
  5. What commitment can I truly make? I maintain that the strength of any blog is in the writing; thus, we workshop the writing in my Writer’s Center class, not SEO optimization. It takes time to write well, and you need to be honest with yourself about how much time you have to spare, and if you can maintain that pace long-term. On the plus side, you’re writing, and that counts as practicing your craft, even if you’re a fiction writer or poet.

What questions have I left out? Are some of the above more critical than others? Let’s discuss that below. I’ll be back on Friday with a follow-up post, “5 Things to Remember While You Blog.”


Lit Journal Nugget: fugue

Today we’ll take a look at the literary journal fugue, which like e.e. cummings eschews capitalization. I discovered this journal last year via NewPages, and picked up a copy last month at AWP. It is edited by university graduate students, and given its quality, it appears no worse the wear for lack of a permanent non-student editor.

fugue

  • This caped crusader's cowl does not prevent him from reading literary journals. What does hamper him is that he cannot read, because he is a plush monkey toy.

    Publisher: U. of Idaho English and Creative Writing Programs

  • Publishes: Primarily Poetry, Fiction and Nonfiction
  • Editor-in-Chief: Mary Morgan
  • Publisher’s description: Fugue is a journal of new literature edited by graduate students within the University of Idaho’s English and Creative Writing Programs. Since 1990, Fugue has been promoting diverse literary voices of new and established writers… Fugue also awards cash prizes and publication for prose and poetry in our annual spring contest.”
  • Print schedule: Print issue biannually, winter/spring and summer/fall.
  • Submissions: No formal guidelines on their site; they use on online submission engine.
  • Submission schedule: Poetry, nonfiction and “Experiment” submissions accepted September 1-May 1; fiction September 1-March 1.
  • Issue Reviewed: Summer-Fall, Vol. 41
  • Content: Seven poems (a contest winner, two finalists, and four others); four fiction works (a contest winner, a runner-up, and two others); six nonfiction works (a prize winner, a runner-up, and four others); an interview; and an “Experiment” essay consisting of Facebook updates.

To give you a taste of the journal, I’ll focus on the striking nonfiction prize winner, “What We Learn About Love, We Learn from Quarries,” by Sean Prentiss. Contest judge Judith Kitchen wrote that the essay “is innovative in its use of narrator–the present-tense presence behind the past-tense story, the person who can assess the fallout from one evening long ago.” The essay is the memory of a thirty-six year old writer of a time when he was twenty and he had a sexual encounter with a nineteen-year-old girl at a Pennsylvania quarry.

What I found compelling was that the essay was written as if it were an outline in 28 parts (designated with roman numerals), with the narrator inserting himself as follows (from Section V): “There is the girlfriend at her apartment, the girl beside the boy, the quarry’s cold water. If the boy were to ask this narrator for advice, this narrator has no idea what advice he would give. Not one idea. What to tell him? What best to do? But that’s not true. This narrator is just afraid to give advice since he knows and understands the lessons of the past and the lessons from the stretching future; this narrator knows what tonight can become.”

A reminder that I am soliciting volunteers to write their own reviews for this “Nugget” series. Inform readers of The Artist’s Road of a journal or magazine that publishes creative writing. Just email me your suggestions and we’ll talk.


Creativity Tweets of the Week — 01/13/12

Your patience has been rewarded. After a four-week hiatus, the Creativity Tweets of the Week makes its triumphant return. Once again I provide some of the best links on creativity and writing I sent via Twitter this week. Note I still provide a focus on creativity despite changing my Twitter handle yesterday from @on_creativity to @PatrickRwrites. Was the change a sign of vanity, or just a wise move away from too many brands? Can’t it be both?

CREATIVITY

  • Finding Purpose, Embracing Creativity,” Patricia Crisafulli, Huffington Post: Having your creative output showcased is a worthy goal, but celebrate the process and the result regardless.
  • I intended to include pictures here taken at my recent MFA in Writing residency at the Vermont College of Fine Arts, but in transferring them to my computer I accidentally deleted them. So here's a picture of a neighbor's dog, Bella, taken by my daughter. Why? Because she's cute. The dog, that is, although I think my daughter is as well.

    Are You Suffering from Information Overload Syndrome?” Debra Kristi, Debra Kristi’s Blog: I fear my Tweets of the Week contribute to IOS. So be it. (FYI, my contest-winning personal essay “Forest Foursome” is a reflection on this syndrome.)

  • The Counter-Intuitive Benefits of Small Time Blocks,” Elizabeth Grace Saunders, 99%: Consider this an anecdote to IOS (see above).
  • More Ideas for Generating Creativity,” Carrie Brummer, ArtistThink: My friend Carrie blogs more suggestions, including the unorthodox “Trade unfinished creative projects with someone and finish them.” Anyone interested in finishing my next MFA packet?
  • Take a Chance on Your Creative Dream,” Sue Mitchell, Your Muse is Calling: You’ll have to change your behavior “in a pretty significant way” with no guarantee of success, my friend Sue says. She’s right. But isn’t anything worth having worth a little risk?

WRITING

  • 10 Terrific Creative Writing Blogs,” Sonia Simone, Copyblogger: I’m not including this just because I’m listed as one of the ten. Okay, that’s part of it. But Sonia takes the Top 10 Blogs for Writing winners awarded by Write to Done and provides helpful summaries of each. Of mine, she quotes my description of it as “an ongoing conversation among the blog’s author and its readers regarding the challenges and rewards of pursuing an art-committed life.” Yup. (Question to grammarians: Did I use “among” correctly in that sentence?)
  • Here's a picture of some of my monkeys. Why? Geez, you ask a lot of questions.

    Writing Prompts for Revelation and Transformation,” Christy Bailey, Hunger Mountain: Christy offers ways to “[un]block the creative right brain” on the site hosted by the Vermont College of Fine Arts’ literary magazine.

  • Podcasts about Writing,” Peggy Lane, Hey Biscuit: The print journalist in me resists podcasts for the same reason I resist TV news; I can’t skip around the story. But if you’re stuck in traffic they are lifesavers. Mix them in with moments of silent reflection to allow your subconscious to speak to your work-in-progress.
  • Writing Memoir? Be Counterphobic,” Marion Roach Smith: In other words, let go of the fear. The post reminded me of a favorite craft book of mine, Fearless Confessions: A Writer’s Guide to Memoir by the incomparable Sue William Silverman.
  • Five Writing Prompts to Overcome Writer’s Block,” Joe Bunting, The Write Practice: I avoid writer’s block as a freelance journalist by reminding myself that if I don’t file, I don’t get paid. I’ll keep these in mind for my creative writing.
  • On Becoming a Writer,” Jessica McCann, guest post on creative non-fiction writer: My friend Jessica shares her story to both non-fiction and fiction success. Spoiler alert: Her teenage daughter can’t believe she’d write an essay willingly.
  • Why Authors Tweet,” Anne Trubek, The New York Times: I’ll take a guess. To avoid their works-in-progress?

I’d like to welcome all of the new subscribers I’ve gained since winning the Top-10 Blog for Writers award. As we move forward together, let me know what’s working and what’s not. I’ll keep doing the former and apologize for the latter.


Creativity Tweets of the Week — 8/5/11

They say if you gather enough monkeys to pound on enough typewriters they’ll eventually produce the complete works of Shakespeare. My friend Melanie is in a creative slump; maybe if she went ape-$#!* crazy on a keyboard for an hour, there would be an inspiring line of poetry produced there that might spark her muse. If you have better ideas please pass them along to her (she’s the first bullet below).

CREATIVITY

  • Could these four simians, secretly typing away in a time of fountain pens, have actually been the real Bard of Avon? (I note with suspicion that one of the smaller ones is wearing a cowl.)

    Creative Slump,” Melanie Sklarz, Dose of Creativity: We’ve all been there, that period when the creative tide is out. Join Melanie’s readers in debating ways to welcome the tide back in. (Related post: Maximizing Your Creativity)

  • How to Increase Your Creativity,” Mark Lipinski, Mark Lipinski’s Blog: The short answer here is to give to others. I don’t have a “Donate” button on this blog, but that’s because the techie geeks haven’t yet figured out a way to digitize my favorite currency, bacon. (Related post: 5 Steps to Subconscious-Driven Creativity)
  • How Sarcasm Can Boost Creativity,” Jena McGregor, Washington Post On Leadership: Must. Resist. Urge. To. Summarize. With. Snark. (Related post: Sarcasm? Many, many of my photo captions.)

WRITING

  • The First Sentence as an Amuse-Bouche,” Therese Walsh, Writer Unboxed: To quote Therese, “Let the first sentence offer an impactful and authentic taste of what’s to come, an amuse-bouche that teases what the meal that is your story will offer and leaves the reader hungry for more.” (Related post: Flashing Your Readers)
  • I don't think the Crustacean Choir could have authored any plays because they're typewriter-challenged; I suspect they'd taste great cooked and wrapped in bacon, however. (For their story, click on the picture.)

    Why You Should Kick Your Story Aside and Write a Different One,” K.M. Weiland, Wordplay: K.M. touches on one of the most challenging things a writer can, and must, do — know when to put a project aside. (Related post: Ideas are Plentiful, Choosing is the Key)

  • The Joy of Edits,” Allison Tait, Life in a Pink Fibro: In my words — definitely not Allison’s — accepting edits with grace is as important as lying still during a rectal exam; remember that both examinations usually result in better health for the patient.  (Related post: When Do You Share Your Creation?)
  • Top 10 Ways to Spice Up Your Writing,” Melissa Donovan, guest post at The Top 10 Blog: A lot to learn in this clever post structured around meal preparation, with an enticing #10: Stay for drinks. (Related post to #10: A Circle of Trust)
  • Following Your Dream,” Kathy Lynn Hall, Red Mojo Mama’s Musings: One woman’s story of becoming a writer. (Related post: Starting Down the Road)

This post marks the return of two of this blogger’s muses — monkeys and bacon. Welcome back, you delightful scamps.


Literary Baby Steps

When James Joyce was 40 years old he published Ulysses, and nearly ninety years later on this day, June 16th, millions around the world celebrate Bloomsday. Today, at 43, I finally became a published literary writer at Shaking Like a Mountain with a short creative nonfiction piece titled The Clear Monkey.

This delightful image was posted by Shaking Like a Mountain with my piece. I'm borrowing it.

In my defense: 1) I had never submitted a work to a literary journal before this year. 2) I’m not exactly James Joyce.

I was inspired to write this piece a few months ago while taking a creative-writing course taught by published memoir author Sara Taber at The Writer’s Center. I had also just read Fearless Confessions: A Writer’s Guide to Memoir by the remarkable author Sue William Silverman. (I’m doubly blessed this month; I’ll get to meet Sue shortly as she’s an instructor in the MFA program I’m about to begin.)

Regular readers know I’m having to learn how to share myself in my writing. I certainly did that with this piece. But Sue writes of the importance of a creative nonfiction writer being true to his or her story, so I did my best to follow that advice.

I’m told it also takes bravery to submit your work to a publisher, to risk rejection and disappointment. I’m not sure what that makes me for the first 43 years of my life, but I’ll gladly accept the “bravery” label now.

Are you putting yourself out there, both in your writing and through submissions? What is your story?


Creativity Tweets of the Week — 6/10/11

The Artist’s Road values the thousands of inspiring people who sample his links on creativity and writing on Twitter and Facebook. As a sign of his gratitude, he vows to adhere to a higher moral standard than members of the U.S. Congress; he will never tweet or post a picture of his “package.”

CREATIVITY

  • Nature as Creativity Booster,” Melissa Crytzer Fry, guest post on Sheri Lopatin: Rogue Writer: Emerson isn’t the only writer who’s been inspired by nature. Melissa is inspired by the state where I grew up, Arizona (you’ll love her photos). (Related: Do the Work, Dispel the Myth of Creative Inspiration)
  • I'll never post pics of my private parts, but I can't make the same promise when it comes to pics of monkeys. Well, to be clear, I won't post pics of monkey private parts.

    Finding Creative People is Easy (and Here’s How),” Kate Canales, The Atlantic: Here’s the subhead: “Instead of searching for creativity, we should be fostering it in people we already work with—and redefining what it is.” (Related: Collaboration and Mutual Respect)

  • Watching Jon Stewart might make you more creative,” Melissa Dahl, MSNBC.com: This is not, fortunately, related to the frequent Daily Show appearances once made by Twitter sensation Anthony Weiner. Melissa reports that some scientists suspect a correlation between hearing sarcasm and thinking creatively.
  • 20 Reasons Why Creative People Work in Cafes,” Mitch Ditkoff, Blogging Innovation: This refers to those of us sitting there silently tapping on our laptops, not the hard-working baristas. Number #4 could top the list: “Easy access to caffeine.”

WRITING

For those with fine attention to detail, the answer is yes, one of the monkeys pictured is wearing a cowl. I hear they’re all the rage with simians.


5 Steps to Subconscious-Driven Creativity

I’ll let you in on a secret — I have a ghostwriter. In fact, for many of these blog posts, all I do is sit at the keyboard, type what the ghostwriter has written, and then slip in a reference to bacon.

That ghostwriter is my subconscious. Don’t think of him as unpaid labor; he also enjoys my bacon.

For the last thirty years or so I’ve programmed myself almost nightly to break through creative barriers, find a path in confusion, and achieve answers to questions difficult to express. I referenced my experience in a tweet after last Friday’s Creativity Tweets of the Week inclusion of a link to motivational business blogger Daniel Wood’s post “How Dreaming Can Help You Succeed.” A Twitter conversation I had with creativity guide  Teresa Van Lanen of Making Art of Life helped me realize I needed to write my own post, or at least ask my subconscious to whip up a draft.

Let the idea come to you, like a surfer in (hopefully shark-free) waters.

Wood’s post suggests you go to bed and imagine that you’ll have $12 million in the bank in two years. My right brain loves that idea, but my left brain says (1) I’m not sure how one programmed dream night will manifest such a large, long-term goal, and (2) it seems unwise to have that much in a bank when the FDIC only ensures bank accounts up to $250,000.

As my Twitter pals Michelle James and Melanie Sklarz know, I resist writing “3 Steps to a Better/More Creative/Happier/Slimmer/Funnier/Less Malodorous You” posts, but I’m doing a step-by-step post here because I truly want others to know how they can find creative answers in themselves.

STEP ONE: CLARIFY YOUR OBSTACLE — His example of $12 million is an answer to many, many potential problems, but it seems like cheating because you’re telling your subconscious the answer (I need millions). You’ve just cut off other paths to reach whatever goal you think the money will solve.

My preference is to identify a blockage in my life. It could be anxiety about a pending conversation, say with a boss or family member; the need to find a new job without being entirely clear what that job would be or how I might find it;  a loss as to what I’m going to write the next day; confusion as to why that short story I just finished doesn’t quite “work.”

Look, the ultimate goal is the same for all of us — happiness, success, wealth, good health, positive stuff. Think of your subconscious as a therapist. You both agree on the ultimate goal of a good life. Lay out to your therapist a problem that you’re having, and allow her to guide you to a self-generated solution.

STEP TWO: NARROW YOUR REQUEST — You know how in project management you’re told to break a project into smaller, trackable tasks? This is similar. Don’t ask your subconscious “What is the plot of my next suspense novel?” Focus on what you know, and ask something you don’t.

For example, you know your hero is a dashing blogger and reporter in Washington, D.C. What does he love? Bacon. What motivates him? Bacon. Now go to sleep asking your subconscious “How does my hero’s motivation put him in jeopardy?” When you wake up, you’ll find that his investigative reporting leads him to stumble into an international criminal ring seeking to corner the world bacon market.

STEP THREE: CLEAR YOUR HEAD — Your subconscious doesn’t respond well to stress. This step is important for finding a solution to a writing hiccup, but is even more important if you’re working out what you want to say to a difficult boss or finding a way out of a financial crisis.

You want to have a restful sleep, so in the hours before you go to bed, don’t do anything related to the question you intend to pose. Read a good (unrelated) book, watch a funny (unrelated) TV show, have a nice (unrelated) chat with your spouse. Do your normal bedtime routine. Then, when your head hits the pillow and you feel ready to nod off, ask your question.

STEP FOUR: LISTEN TO THE ANSWER — If your subconscious has cooperated, when you awake an answer will be there. You need to act fast, to listen to whatever is in your head and to write it down. Did I say fast? I meant it. And in as much detail as you can. Because like any dream, it is easily pushed away by the realities of conscious life.

Give your subconscious some time to move, and don't ask it to travel too far in one trip. Oh, and don't make soup out of it.

Also know that it may not be a clean-cut answer. You may not open your eyes and hear “My hero has just stumbled across an international conspiracy by writing a story about campaign contributions to a Kansas senator who is on the take from an evil commodities trader in pork futures.” It could be more vague, just disconnected thoughts about investigative reporting, campaign donations, monopolies, and bacon. What you need to remember is that this solution IS COMING FROM YOU. That means that if you spend conscious time poring over the clues your subconscious has given you in your sleep, your subconscious will help you assemble them properly while you are awake.

STEP FIVE: BE PATIENT – Twice this year I’ve mentioned this process to groups of writers, and faced reactions ranging from skepticism to outright dismissal. In both instances, however, one individual expressed genuine enthusiasm, but my fear was if they tried what I’ve just outlined here, and it didn’t work, they’d give up and move on.

I honestly don’t know when I began having this nightly conversation, but my first memory of it dates back 28 years. It’s now such a part of my routine I don’t think about it. But I’m sure that when I was in my teens, I wasn’t as good at clarifying my obstacle, narrowing the question, of clearing my head, and of listening to the response. And even today, I don’t always get a straight answer, and sometimes what I get seems like something I could have figured out without the help. And sometimes — no offense, subconscious — what I’m given seems great while groggy but is useless once I’m fully awake.

Start small. Keep with it. That’s standard advice in the development of any new skill. But what I know now is that my skill, while one I somehow stumbled upon by accident, isn’t unique to me, but is hard wired in all of our brains.

Have you had experiences where your subconscious gave you ideas? Perhaps in your sleep but maybe in other ways, such as meditation or even a nice walk? How do you work with your subconscious?


Creativity Tweets of the Week — 4/29/11

Who doesn’t love their weekly dose of inspiring links on creativity and writing that The Artist’s Road tweeted during the week @on_creativity? But did you know the tweets offer insights into your blogger’s week? This week your faithful blogger found his schedule get away from him (yes, that passive wording frames your blogger as a victim and not the culprit). No coincidence that several of today’s links have to do with time management. Oh, and bacon and monkeys.

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

CREATIVITY

  • 201 Ways to Arouse Your Creativity,” Katie Tallo, guest post on Write to Done: That headline sounds like I’m supposed to seduce my muse. I was hooked on the first one, however, “Talk to a monkey.” How can you not love monkeys? Even the word itself is fun.
  • Easter Monkey

    I hope you had a visit this year from The Easter Monkey.

    How to Steal Back Time to Create What Matters,” Dan Goodwin, A Big Creative Yes: Dan makes a return to Creativity Tweets of the Week with an interesting mind shift — don’t think of your creative time as stolen, think of non-creative activities as stealing time from your creativity.

  • 16 Great Tips That Will Add More Hours to Your Day,” Abhijeet Mukherjee, Dumb Little Man: A good follow-up to the post above.
  • How to Cultivate Dolce far Niente,” Courtney Carver, BeMoreWithLess: She’s referring here to the Italian expression for “the sweetness of doing nothing.” We all need to slow down and enjoy those peaceful moments. One of her recommendations is “Make dinner with your lover.” For me, if bacon is involved, I sometimes feel I’m making love with my dinner.
  • 6 Techniques to Ignite Your Creativity and Passion,” Ronald Alezander, PhD, The Huffington Post: Tap into creativity through “open-minded consciousness.” No, I’m not going to explain that, I don’t have  PhD. I’ll leave that to Dr. Alexander.
  • Want Creativity From Your Team? Leave Out the Details,” Tamara Kleinberg, Imaginibbles: I’ve learned this lesson the hard way as an executive when I’ve commissioned work from graphic artists — the more “guidance” you give a creative, the less creativity you get in return.

WRITING

  • Topical Round-Up: How to Win Readers,” Janalyn Voigt: What? I can’t find reades just by writing beautiful prose and putting it out into the universe? Shucks. Fortunately Janalyn has some recommendations.
  • I will make time this week to Rock the Red for my Washington Capitals. (Taken at a January 2011 thrashing of the Atlanta Thrashers)

    Transforming Negative Energy Into Positive Ambition,” Carolyn Arnold, A Writer’s Journey: Writing involves rejection. Lots of it. Here are some tips to make the most out of that reality.

  • Culprits that Block Writers from Reaching a Pro Level,” Ray Rhamey, Writer Unboxed: We can spot the flaws in the writing of others, so why can’t we see the flaws that keep an agent or editor from reading past the first few lines of our own prose?
  • Description 101: Is Your Description Helping Your Story or Holding You Back,” Janice Hardy, The Other Side of the Story: Description is an area of my creative writing that could use a lot of improvement. I will say, however, that if my writing often lacks olfactory description, it’s because I have a ridiculously poor sense of smell. There. I said it.

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The latest Creativity Tweets of the Week is done, and The Artist’s Road now owns the rest of his day. Hmm. A nap sounds good.


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